Friday, April 29, 2011

random stuff i made

i'm quite a hands-on person so i like making things, creating things more than drawing or painting. these are some random little objects that i made when i was bored.



title cupcakes
media beads
size large:~2cm x ~2cm, small:~1cm x 1cm
dated june 2011




i made the beaded cupcakes through stringing beads together.

i adapted the cupcake pattern from 2 beading patterns found from deviant art and on a beading website. so i made my first one, the small one in the middle. i thought beading cupcakes were quite fun so i experimented and made a bigger one(on the far left) then i adapted my beading design slightly to include a metal loop to hang it(like the one on the right)



Then,i went on to experiment with different coloured beads, making these:

title cupcakes
media beads
size ~1cm x 1cm
dated june 2011

i also like making things out of cloth, apart from pouches, i also make little stuffed objects like hearts, animals, things ,etc.
title untitiled
media cloth,stuffing,thread
size ~6cm - 7cm
dated june 2011
one example is the stuffed heart and stuffed star that i made during the December holidays last year.

the stuffed star was more difficult cos the edges were harder to stuff.

today in the newspaper, i came across someone who also makes things out of cloth. i think she quite cool and and very creative, using scrap cloth to make pretty, cute things (:
this is her website

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Friday, April 22, 2011

coursework prep drawings






media pencil on paper
size A3
dated April, may 2011



when i decided on CONTENTMENT as my theme for my coursework, i started out doing studies on happy children and spoilt children.


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other random drawings, paintings

title untitled
media oil  on canvas
size B5
dated  march 2010




this was my first time using oils. i think oils is a rather  interesting  medium,
it does no dry very fast, so you can take your time when blending.

title paper strips
media pencil on paper
size A4dated feb 2010


looking back, i feel that i have a few areas which i could improve on, 
firstly, i think i could have shaded most of the areas darker
secondly, i think i could have not used such a dark outline for some of the strips of paper



title cloth
media pencil on paper
size A4
dated feb, march 2010



i think i drew this well, the cloth really does look flowy.
 however, i think i could have increased the contrast of the dark areas and the lighter areas.



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fashion design module










title untitled
media pencil, colour pencil, digital print
size A3
dated july, aug 2010



in term 3 we could choose modules and i choose FASHION! anyway, we were supposed to be inspired by some pictures of micro-organisms. so i adapted some of the forms and shapes from them and put them into my design. most of the weird designs are partly inspired by lady gaga.


i decided to display my final designs in like a sort of paper doll template where my designs could be cut out and mixed-n-matched on the paper doll.


the whole experience was rather interesting and fun! (:




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Sec 2 EOY drawing and painting paper






title surrealism
media watercolour
size A3
dated sept, oct 2009

the theme i choose was surrealism. this time i was interested shadows and wondered "what if shadows were colourful and normal things were black and white what an interesting world  would that be?" i was also sort of inspired by the lamppost in Narnia, the mysterious, dream-like landscapes.


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sec 3 EOY drawing and painting paper












title natural phenomenon
media watercolour
size A3
dated sept,oct 2010



this was my drawing and painting paper for the end of the year. there were quite a number of themes to choose from. but i decided on "natural phenomenon".
when i explored the theme, i decided that the typical earthquake, eclipse, etc was to cliched. so i explored more into the unbelievable relationships that exist in nature. animals are inter-reliant on one another,trust one another and to me this is an amazing natural phenomenon.
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Friday, April 1, 2011

Essay on Lucia Hartini's Srikandi(1993)



Srikandi by Lucia Hartini 1993
Oil on canvas, 150 x 150 cm

(a) describe the use of space colour and brushwork

The painting depicts a confident woman dressed in a flowing piece of blue cloth situated centrally in the canvas. The woman has her legs wide apart, depicting that she is firmly standing on the ground. Her hands are at akimbo and her head is up, with wide-open staring eyes looking to her left. On her left there is a beam of converging light with many pairs of eyes which enters her eyes.

The foreground and right side of the canvas shows some brick walls which seem to form a maze. The walls have very sharp turns and have many cracks on them. It seems like the walls are going to crumble and fall apart anytime. The left background of the canvas depicts clouds and a moon. This suggests that the painting is situated in the sky

Overall, the figure of the woman is very large and takes up about ½ of the total space in the canvas. Hence this draws attention to the woman.

The colours used in the painting are rather realistic with red used for the bricks and beige for the skin. The colours are also very rich and vibrant. For example, the blue cloth is an electric blue. This is rather contrasting to the red brick walls surrounding the cloth. Hence this draws attention to the blue cloth and the woman wearing it. Colours are also used to depict light and dark areas. For example, white and light blue it used on the electric blue cloth to depict folds and creases on the cloth, thereby showing depth. It is also used to show that the cloth is glowing and flowing, giving it a very soft, silky and smooth texture. White and lighter tones of beige are also used to show the curves on the woman’s arms and legs. This allows the viewer to see the bulging veins on her arms caused by clenching her fist and her biceps and calf muscles. This suggests that she is very strong. The colour used for her skin tone is a tanned skin colour and the white highlights make her skin seem like it is glowing. This gives the impression that she goes out into the sun to do physical work and is very strong

The colour of the sky is blue and yellow, suggesting that the sun is rising. This gives the painting a rather positive atmosphere.

The brushwork in the painting is similar to that of neo-classicism. It is meticulously blended and brush strokes seem almost invisible. This accentuates the realistic nature of the painting making it seem more life-like.


(b) comment on the influences behind this work

Her culture influences her art. This can be seen in the title of the work, Srikandi. Srikandi is the archetypical “warrior woman” of south-east Asian legend. Lucia Hartini depicted her representation of Srikandi, one who is bold, strong, brave and confident in this painting. Another influence of her culture is the blue cloth used to dress the woman in the painting. Blue cloth was worn by members of the woman’s armies who historically protected the Sultans of federal Central Java. This adds on to the fact that the woman depicted is strong.

Her identity also greatly influences this work. Lucia Hartini grew up in Indonesia, where women were seen as less important to men. They were brought up to be obedient subjects to men and were only expected to cook, look good and have children. They were not given much freedom or choice. However, through Lucia Hartini’s struggles, experience and intuition, she realized that women should represent themselves as autonomous subjects having potential which is different but no less capable than that of men in this shared world. Hence she expressed this feeling of equality in sexes through this work, depicting herself as the woman in the painting, Srikandi. Her identity is one of a woman who is no longer constrained by social expectations and no longer afraid of the critical and doubting eyes of society. This can be seen in her seemingly repelling the many pairs of eyes. Her stance and body language also show that she is strong, bold and confident.

She is also influenced by cosmos. Painting the cosmos, such as the moon at the top left corner of this painting, allows her to escape from reality and to momentarily feel free and peaceful.

Another influence is the social environment that she is in. Her social environment is one where straightforward critical or confessional discourse is not acceptable. Hence Lucia Hartini is forced to create work in symbol-laden styles to carry out her social message. This can be seen is her using a warrior woman from the Hindu epic the Mahabharata to depict a strong and confident woman and many pair of eyes to depict the critical and doubting eyes of society.